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November 26, 2006

Emerson’s Hammer: or, L2 and the Transcendentalist Mind

At times my literary background rears its bookwormy head. This is one of those times.

In the 19th century, American literature witnessed greatness (my non-objective position) through the Transcendental movement.
I’m not going to go into it much today, but this is where the good stuff starts. Backstory is available through links along the way (or by asking me over a pint).

One of the major forces behind Transcendentalism was Ralph Waldo Emerson.
Emerson made a request—a call—for greatness, where he petitioned for a new voice, a new bard to come forth with a hammer, “that they may render back/Artful thunder, which conveys/Secrets of the solar track,/Sparks of the supersolar blaze.”

This Hammer of change was picked up by Henry David Thoreau, who went on to write Walden (that story will cost you another pint).

Here is Thoreau’s hammer swing:

“I would not be one of those who will foolishly drive a nail into mere lath and 
plastering; such a deed would keep me awake nights. Give me a 
hammer, and let me feel for the furring. Do not depend on the 
putty. Drive a nail home and clinch it so faithfully that you can 
wake up in the night and think of your work with satisfaction -- a 
work at which you would not be ashamed to invoke the Muse. So will 
help you God, and so only. Every nail driven should be as another 
rivet in the machine of the universe, you carrying on the work.”

Pretty inspiring stuff. Probably changed my life all those years ago, to be honest with you.

And how so? Now that I revisit it, I see it's got Tom Peters' L2 written all over this (L2: Develop an Inspiring Vision).

From Emerson to Thoreau to whomever is paying attention--there's your vision:

Bring your tools and do good work. I'll already be on the clock.

November 25, 2006

Of Boundaries and the Travelers Who Cross Them

I’m a fan of Greek and Roman mythology. This weekend, while trying to take a couple of minutes off from the grind of daily grad student life, I decided to open my copy of Bulfinch’s Mythology and do some exercising.

But, I couldn’t find any stories about one of my favorites: Hermes (or Mercury, if you fall on the side of the Romans).

So, I turned to the 21st century fountain that is Wikipedia. Here’s the first line:

Hermes (Greek ʽἙρμῆς IPA: [herˈmeːs]), in Greek mythology, is the Olympian god of boundaries and of the travellers who cross them, of shepherds and cowherds, of orators and wit, of literature and poets, of athletics, of weights and measures and invention and commerce in general, and of the cunning of thieves and liars.”

Fist, I’m not sure how you leave one with credentials like this out of a mythology anthology, and second: look at that first item: god of boundaries and of the travelers who cross them.

Wow. Who knew? The Greeks were prepared for every situation, I tell you.

So, now as I cross into new realms, and push into new territories—both physical and virtual, structural and temporal—I’ll be sure to invoke the appropriate muse and to remember Hermes, unlike my dear Bulfinch (which usually doesn’t disappoint, by the way, itself traveling many boundaries of time).

As a matter of fact, next time I cross any type of boundary, I’ll make sure I’m armed with my Bulfinch, just to make sure even if omitted, Hermes will protect it, grant approval, and approve safe passage.

November 24, 2006

European Renaissance: Chiaroscuro

Many Renaissance paintings have the appearance of figures of brilliant light and color emerging from a very dark, often near-black background.

This technique is called chiaroscuro.

The effect is quite striking. Most would be familiar with this style as it was used later, where most famously used by Rembrandt.

And although this style is beautiful in itself, what does it communicate? It seems as clear as its surface level, but is as deep as its intentions: light from darkness. Truth from lie. Life from Death.

Even though we look at this period as a time of great progress and intellectual investigation, in a world where the last century had seen over 30% of its population perish due to the plague, maybe those who survived had an appreciation for life that few of us can comprehend. Life would have been bleak, dark, difficult to understand.

And maybe for those who didn’t perish, or at least knew stories about the disease and its ravishing destruction, it had appeared as if they had emerged from the darkness of their surroundings.

They could identify with the light as it propelled itself from the bleakness of the background and drew itself out as the focus, the subject, the form.

November 21, 2006

DCC: Getting My Point Across: The Practice of Human Communication

Attached here is my latest theory of comunication. This is simply a version of my efforts for our last 602 examination in blog form. As the purpose of this excercise is to establish a collaborative community, I offer this as my contribution to both my group and to our blogging community as a whole.

And, as these theories are ever-expanding and periodically adapting for most of us, as usual, all input is appreciated.

Abstract
This essay concerns the cyclical nature of communication. By starting with a definition of communication, we learn of the meaning and difficulties of the concept. Once defined, the essay discusses the practice of communication. At that point, the essay explores and develops the cyclical nature of communication, along with its ability to create change.

Getting My Point Across: The Practice of Human Communication

To understand communication in practice, we must first define communication itself. The American Heritage Dictionary defines “communicate” as, “To convey information about; make known; impart,” (Pickett, 2000, p. 373). The definition continues on, stating, “To have an interchange, as of ideas,” (Pickett, 2000, p. 373). This open take on what it means to communicate is what gives communication its wide reach, and its difficulty to describe in practice.

Lee Thayer explains communication as affecting humans differently than non-humans. He explains, “For all other creatures, communicatively, whatever is, works. For man…whatever works, is, (Thayer, 1987, p. 103). This difference shows that the practice of communication is essential to our comprehension and understanding of the world. Thayer actually goes so far as to describe the need to communicate as, “one of the two basic life processes…the acquisition and processing of information, “ 1987, p. 69).

Communication, however essential, is difficult to define in its practice, given that it, “does not have an exclusively defined form,” (Maratt, 2006, p. 3). Words, both spoken and written, as well as hand gestures, symbols, and smoke signals all serve as methods of practicing communication. By practicing these methods, “out relationships are defined and managed through the exchange,” (Littlejohn and Foss, 2005, p. 54).

Given its place in human culture as essential, and its difficulty of definition, human communication emerges as the method with which we create meaning. As Nada Alamro notes, “The challenge is to be able to deliver the intended message,” (2006, p. 2). By delivering, the intention is that the communication is received and is processed appropriately.

In order to understand how or if a message is received appropriately, it is important to look at some of the elements in practice. Tom Peters has a section of his book Thriving on Chaos heavily dealing with listening as an important skill. The importance of this element is easily visible. Peters notes, “Good listeners provide quick feedback and act on what they hear,” (1987, p. 182). And, although other aspects of the practice of communication are also crucial—including speaking and nonverbal communicating—listening, which helps to complete the circuit, is often overlooked.

These practices help to achieve meaning, which is the main thread of communication that helps to bind the world together. This thread is not confining or restrictive, but is inclusive, connective, and supportive. By weaving these threads of meaning, we help to create an overall culture with broad social influence achieved through mutual understanding. Colin Cherry states it as follows: “[We] may be thought of as ‘sharing rules’ of language, custom, of habit; but who wrote those rules? These have evolved out of those people themselves,” (1980, p. 4). Thus, the practice of individuals becomes the practice of the whole.

But, how do the actions of individuals translate into the communications practice of the group? Using the weaving analogy works, as individual threads are used to make an entire tapestry, but there is more to it than that. Littlejohn and Foss see it this way: “We realize that each aspect of communication is part of a larger context. We see, too, that each level of communication affects and is affected by the larger contexts,” (2005, p. 53).

By applying this philosophy we see a cyclical pattern emerge where individual communications enter the culture, and those cultural standards are applied to the next communication, which cycle through the same process.

Communication helps to perpetuate itself (see Figure 1.1, Communication Model—JBL 2006). We see in this model the framework of how the practice of communication starts to develop. David Warycha explains this phenomenon as, “a circle. After the sender conveys her message, she in turn becomes the receiver, and the receiver…in turn become[s] the sender,” (2006, p. 3). We necessarily play these different roles to assist in the practice of communication.

Although everyone participates in the communicating and we help to establish norms, this process does not happen quickly. “Culture is built up through communication over time,” (Littlejohn and Foss, 2005, p. 54), thereby causing change gradually on a larger or overall level. We can witness practice evolving communication as well as the evolution of practice.

Conclusion

By defining communication, we are able to discern meaning from a hard to define concept with far-reaching implications. By exploring some practices and their relative importance to human culture, a definite potential pattern emerges. This pattern is best illustrated in Figure 1.1, where we witness the cyclical nature of communication. This cycle helps to create cultural norms and ideas of communication, which by their nature, affect individual users and communicators.

References

Alamro, Nada. (2006). Definition of human communication. Unpublished paper, Ball State University, Muncie, IN.

Cherry, Colin. (1980). On Human communication (3rd ed.). Cambridge, MA: The MIT Press.

Littlejohn, Stephen W., & Foss, Karen A. (2005). Theories of human communication (8th ed.). Belmont, CA: Wadsworth/Thomson Learning.

Maratt, Dushyanth. (2006). Human communication. Unpublished paper, Ball State University, Muncie, IN.

Peters, Tom. (1987). Thriving on chaos: handbook for a management revolution. New York: Harper and Row.

Pickett, Joseph P., et al. (Eds.). (2000). The American heritage dictionary of the english language (4th ed.). Boston: Houghton Mifflin.

Thayer, Lee. (1987). On Communication. Norwood, NJ: Ablex.

Warycha, David. (2006). Untitled. Unpublished paper, Ball State University, Muncie, IN.

November 19, 2006

Information Renaissance: Broadcasting Justice

Given that most of us have a camera on our phones, it seems a waste not to be using them to capture the world around us.

Well, that’s what some people think. Personally I’d rather not spend much of my time peering into a lens.

But if you do subscribe to the idea that we should always be on point to record the world around us and post it to the web for all to see, and allow it to be a matter of permanent record, then this idea should appeal to you: Taping the police in order to help curb police brutality and misconduct.

This is an interesting topic. Civic activities like this help to attempt to switch the balance of power, of decision making, to the citizenry.

And although I appreciate this sentiment—who has time for that? Not me. I have a hard enough time trying to accomplish the tasks I’ve been assigned in life, let alone try to be the videographer for the masses.

But for those who are needing something else to do, or who just like recording life on their phones, rest assured that there is a place for you.

And, maybe someday you will go to YouTube and watch footage that Stephen Spielberg shot on his phone, and edited on his iPod.

Or, and even more revolutionary, maybe the next Stephen Spielberg already has.

And, more than anything, how come all of us are doing all of this work for free?

November 14, 2006

Carry on, Carrion

This may sound silly, but deer are dangerous animals.

I am writing this because I spend a significant time on the road, and have noticed as of late a significant number of deer carcasses on the interstate.

I have been looking up statistics, and am not yet able to find Indiana keeping records for this.

But here’s what’s going on in Kansas:

In 2004, a total of 9,950 accidents were recorded involving deer, resulting in 4 fatalities, and over 360 injuries.

Almost 10,000 accidents in one state in one year! I’d like to see that against statistics for Rattlesnake bites, dog attacks, cat scratches, wombat skirmishes, random squirrel encounters, and goldfish nibbles.

I’d say that was one dangerous animal.

On the other side of that argument, the state of Kansas seems like a pretty dangerous place to be a deer.

November 08, 2006

Gadget Geek

I must confess: I have a bit of a geeky streak in me.

I’m not just a fan of toys with bells and whistles, I’m also a fan of those bells and whistles.

For several years I’ve been captivated by gadgets: better remote controls, the ever-evolving digital camera, and computer interface devices (like pens and tablets).

I love the stuff.

I also love the people who check all these things out and bring us news about them.

One of my favorite sites (also a blog…but a pretty professional one) is Gizmodo. These guys follow everything that plugs in, uses batteries, or just makes noise. There’s a ton of information and pictures for most of the articles, so you get the full-color flavor. Now, I’m going to warn you, at times it can be a bit salty, but look past that and you’ll find a huge love of technological progress. And, this week, a sweet new Batman clock radio.

Also, and a bit more mainstream, is Walt Mossberg's column. Walt’s been getting first looks at operating systems and handsets for years. This week he’s picking on HDTV, Vista, and simplified cell phones. Walt actually has a good deal of clout, and has been known to cause companies to reengineer products due to less than stellar reviews.

Now there’s a geek for you.

Enjoy. And, I've got a few more places I check out, but if you've got any suggestions of your own, I'd love to hear about them.

November 07, 2006

European Renaissance: Moses Misinformation

I have often seen sculptures of Moses where he is depicted with horns protruding from his head.
In fact, one of the most famous statues of the Hebrew leader was created by Michelangeo—one of the greatest sculptors of both the renaissance as well as any other human era.

Why would Moses, or anyone considered to be on the side of the righteous, have horns? That has long been a question of mine.

It seems this horned depiction is merely due to misinformation.

When translating the Bible from Hebrew, apparently the phrase for “rays of light,” or more idiomatically “halo,” was misinterpreted as “horns.” This is due to one of the words in the original phrase having dual meaning: “karan,” meaning either “ray,” or “horn.” For some reason the translator went with "horn."

And so it is.

So for almost 500 years our eyes have been flooded with images like this, due to a translation issue.
I never would have guessed the answer to be so straightforward; I always assumed I was missing something. I imagine the people’s minds were once also filled with these images, however strange they may have appeared.

Either way, the result is great art—albeit with rather confusing, misrepresented elements—but great art nonetheless.

Now, let's hope there's not a movement to remove all of those horns. Sometimes truth should yield to art.

November 03, 2006

Information Renaissance: Free vs. Freedom

I started out on a quest to research a topic for the Information Renaissance. I plucked a book off my shelf titled A World Lit Only By Fire, by William Manchester. It seemed an obvious choice at the time.

Manchester essentially concludes that Ferdinand Magellan was the most important figure of the Renaissance, and I thought this would be an excellent point to show, since we often forget that the world at the time was undergoing much more than a revolution in art.

Magellan’s revolution took him around the world.

And if the Renaissance masters tried to continually redefine the world, this circumnavigatory event actually defined physically the world in which we live.

But, while trying to figure out how to put this down appropriately, I found this quote: “It is a terrific decree in life that they must act who would prevail,” (Manchester, 1993 p. 226).

This seemed to sum it all together; however, I couldn’t figure out if Magellan actually said it. It seemed by the way it was written that really George Meredith receives credit for that line, and Magellan simply would have agreed with it--albeit 300+ years later. And the references/index weren’t much help. (This is why we cite sources).

Well, you know that I had to figure out who Meredith was in order to solve this. After looking up a couple of things—as often happens online—I found something more interesting: Meredith’s works are available on Project Gutenberg.

Project Gutenberg is an online repository of over 19,000 (and growing) free ebooks. And although that’s awesome in itself, here’s what they say about the price of those books:

The word free in the English language does not distinguish between free of charge and freedom.

Free of charge means that you don't have to pay for the book you received.

Freedom denotes that you may do as you like with the book you received.

This distinction is immaterial if you just want to read a book privately, but it becomes of utmost importance if you want to work with the book:

you are a teacher and want to use the book in class,
you wrote a thesis about the book and want to distribute the book along with your thesis,
you have a literary web site and want to distribute the book to your audience,
or you are a writer and want to adapt the book for the stage.

If the book you got is just free of charge, you may do none of the above things. You may not even make a copy of the book and give it to your best friend. But if the book you got is free as in freedom you may do anything you like with that book.

Clearly free as in freedom beats free of charge.

Fortunately almost all Project Gutenberg ebooks are free of charge and free as in freedom.
(http://www.gutenberg.org/wiki/Gutenberg:No_Cost_or_Freedom%3F)


What a distinction! And what a concept. Freedom of usage. Freedom of passage. Freedom of distribution and movement. Making the world a more enlightened place through the sharing of knowledge, one free book at a time.

Sometimes you have to sail around the world to find knowledge; sometimes knowledge can sail to you.

If I could find any quotes attributable to Magellan, I am sure he would approve of this revolutionary idea. If so, I'll write about it later.

Parachute Mind

Earlier this semester (in what seemed a much warmer time), while waiting for class to start, I found myself sitting outside of the Arts and Journalism building. I was eating a terribly greasy piece of pizza and making a few phone calls.

While on the phone, I noticed written in chalk on one of the walls a pale blue message:

"Mind is like a parachute
Fails unless open"

Wow. I have no idea who I was talking to on the phone, because I kept staring at that message.

Who wrote that? Certainly not some graffiti vandal freshman, or some ignorant slacker Gen Y flip-flop kid.

And who has the gaul to carry pastels on his (or her) person, waiting for the right time to strike out against the ignorant masses with a flurry--a tirade--of social responsibility via illicit chalk-writing?

And, how so profound?

All the advertising in the world sometimes doesn't even compete with the cryptic messages of late-night chalkers.

Do we have a future Basquiat on our hands here?

I wondered.

But, as I float around here this year, pointing my feet toward a predestined, predetermined position, I promise (oh, chalking ones) to keep my vision clear, my purpose focused, and of course both my mind and my parachute open.

The landing would be unthinkable otherwise.